The Taking

May 10, 2004
In 1975, the now defunct Laser Books issued Invasion
by Aaron Wolfe, aka Koontz (who later expanded that novel into Winter Moon
, 1994), a breakneck tale of alien invasion centered on an isolated farm. Koontz's new novel also concerns alien invasion, and a comparison of the two books offers insight into the evolution of this megaselling author's work. Invasion
was mostly speed and suspense—a brilliant if superficial exercise in terror. The new novel also features abundant suspense, as a couple in an isolated California home endure a phosphorescent rain and learn that, around the world, something
is attacking humans and laying waste to communications. It's only when they drive to a nearby town that they learn of a global alien invasion; the tension ratchets as a weird fog descends and the aliens not only manifest physically but animate the dead. For years, however, Koontz has aimed at more than just thrills; today he is a novelist of metaphysics and moral reflection. His aliens are inherently evil as well as scary; standing against them are the human capacity for hope and the forces of goodness and innocence (here, as elsewhere, embodied in dogs), and near novel's end Koontz puts an overtly religious spin on his tale. Koontz's language has changed over the years, too, and not always for the better. While his care with words engenders admiration, his love of metaphor and alliteration can slow down the reading ("the luminous nature of the torrents that tinseled the forest and silvered the ground"). Also missing here is the wonderful humor that elevated his last novel, Odd Thomas
, and some other recent work. Koontz remains one of the most fascinating of contemporary popular novelists, and this stands as an important effort, but not his best, though its sincerity and passion can't be denied. Agent, Robert Gottlieb at Trident Media
.

May 24, 2004
Actress Meyers delivers a curious performance of Koontz's latest novel (following Odd Thomas). Executed with a kind of curt, crisp precision, her portrayal of the main character, Molly Sloan, is unexceptional and doesn't encourage the proper empathy from the listener, which is unfortunate because Molly and her ex-priest husband Neil are up against steep odds. They wake one morning in their small California town to find that a strange-smelling, luminous rain has heralded a worldwide change. All communications, even the Internet, cease functioning, but only after broadcasting some disturbing sound snippets. Soon Molly and Neil find themselves in a world where most other humans have been hunted down, the dead are reanimated and extraterrestrial invaders harvest souls. On the few occasions when Meyers gives voice to supporting characters (e.g., children, a possessed doll, the walking dead and the evil alien beings), her reading changes from run-of-the-mill to downright chilling. The transformation is astonishing and causes the listener's gooseflesh to rise; alas, these instances are far too infrequent.