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The Women Could Fly

A Novel

Audiobook
6 of 8 copies available
6 of 8 copies available

Reminiscent of the works of Margaret Atwood, Shirley Jackson, and Octavia Butler, a biting social commentary from the acclaimed author of Lakewood that speaks to our times—a piercing dystopian novel about the unbreakable bond between a young woman and her mysterious mother, set in a world in which witches are real and single women are closely monitored.

Josephine Thomas has heard every conceivable theory about her mother's disappearance. That she was kidnapped. Murdered. That she took on a new identity to start a new family. That she was a witch. This is the most worrying charge because in a world where witches are real, peculiar behavior raises suspicions and a woman—especially a Black woman—can find herself on trial for witchcraft.

But fourteen years have passed since her mother's disappearance, and now Jo is finally ready to let go of the past. Yet her future is in doubt. The State mandates that all women marry by the age of 30—or enroll in a registry that allows them to be monitored, effectively forfeiting their autonomy. At 28, Jo is ambivalent about marriage. With her ability to control her life on the line, she feels as if she has her never understood her mother more. When she's offered the opportunity to honor one last request from her mother's will, Jo leaves her regular life to feel connected to her one last time.

In this powerful and timely novel, Megan Giddings explores the limits women face—and the powers they have to transgress and transcend them.

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    • Publisher's Weekly

      Starred review from June 20, 2022
      Giddings (Lakewood) pulls off a dynamite story of a Black woman’s resistance in an oppressive dystopia. Jo Thomas’s mother, Tiana, has been declared dead after having been missing for 14 years. At 28, the age at which all women must marry or register with the Bureau of Witchcraft, Jo works at the Museum of Cursed Art and is in love with her white best friend, Angie. Tiana taught Jo as a girl that magic wasn’t real, but rather a myth to enable oppressions of women and non-cisgender people. Jo is set to inherit a large sum from Tiana on the condition that she agrees to visit an island in Lake Superior, which, according to a story Tiana once told her, only appears once every seven years. The instructions remind her of a story her mother told her as a child, about an island with a treasure. Though Jo doesn’t want to leave her sometimes-boyfriend Preston, or her job and Angie, she complies, and upon returning is promptly imprisoned for suspected witchcraft. When Preston promises to take custody of Jo, as required by law, the two enter a tender phase of their relationship. But after the island’s secrets leak into the real world, Jo is imprisoned again. Giddings ingeniously blends her harrowing parable of an all-powerful patriarchy with insights into racial imbalances, such as a scene in which Jo and Angie are pulled over by the cops (“I wanted the ease of feeling protected and beautiful enough to try to make a joke, to not have my hands on the dashboard, to not text someone pulled over by cops, please call in 15 minutes if you don’t hear from me again”). This is brilliant. Agent: Don Conway, Writers House.

    • AudioFile Magazine
      Angel Pean delivers a thrilling performance of a story set in an alternative future in which unmarried women aged 28 and older must register with the government. As Jo's 28th birthday looms, she learns that her mother, who disappeared years earlier, left her something in her will. But Jo must take a trip to a remote island to claim it. Pean skillfully captures the suspenseful story as this revelation sets off a series of events that force Jo to confront some hard truths about the society she lives in and what direction she wants her life to take. Pean's narration amps up Jo's anxiety and sense of dread, creating the perfect chilling mood. K.D.W. © AudioFile 2022, Portland, Maine
    • Library Journal

      Starred review from March 1, 2023

      In her sensational sophomore outing, Giddings (Lakewood) delivers an engaging story and blistering social commentary for post-Roe America. Twenty-eight-year-old Michigander Jo Thomas enjoys working at the Museum of Cursed Art and secretly loves her best friend Angie, though she is casually dating Preston. Jo's status is rather dicey because if a woman doesn't marry a man by age 30, she is forbidden to work and subject to constant monitoring. Jo is already on the Bureau of Witchcraft's radar because her mother, Tiana, disappeared years ago and is presumed to be a witch, as Black women are considered more likely to practice magic than white women. Tiana is finally declared dead, and Jo is set to receive a large inheritance, on Tiana's one condition that she first travel to a mysterious Lake Superior island. When Jo returns, she is immediately imprisoned on suspicion of witchcraft. Narrator Angel Pean agilely presents the novel's dramatic events as well as Jo's beautiful island experiences and achingly conveys her struggles against a sexist, racist, and homophobic society. VERDICT This brilliant novel, with its powerful Black woman protagonist and feminist message, is positively thrilling in audio and will be embraced by fantasy and feminist literature fans.--Beth Farrell

      Copyright 2023 Library Journal, LLC Used with permission.

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