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Killing the Emperors

Audiobook
0 of 1 copy available
Wait time: About 2 weeks
0 of 1 copy available
Wait time: About 2 weeks

Sir Henry Fortune, celebrity curator, has vanished. So too has his partner in love and money, disreputable art dealer Jason Pringle. Panic spreads throughout the London art world when more people go missing. No one can locate Anastasia Holliday, sensational Abject artist; Jake Thorogood, the critic who catapulted her into stardom; or Dr. Hortense Wilde, notorious for having influenced generations of art students to despise craftsmanship.

Hysteria hits the media when it is found that the common link between the victims is that their careers blossomed when they embraced newly fashionable conceptual art. Could it be that they are hostages? If so, why? Ransom? Revenge?

Who will be next? Will it be Sir Nicholas Serota, mighty overlord of British temples of the avant-garde, or the internationally renowned young British artist Damien Hirst, whose dross became platinum? Is danger in store for Charles Saatchi, megarich husband of a TV cook and the genius who took talentless young people and turned them into a winning brand?

When news comes of a disappearance in New York, the fears of the art establishment go transatlantic, with even such stars as Jeff Koons at risk.

Next the friends of Lady (Jack) Troutbeck report her missing, too, she a standard-bearer of conservative values in education and art who recently described admirers of conceptual art as knaves and fools. The police are bewildered. And then begin the horrifying Hommage murders, lethal satires on notorious works of art.

Can Troutbeck's friends rescue her before her worst fantasies become reality?

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    • Publisher's Weekly

      Starred review from August 20, 2012
      British/Irish author Edwards is in top form as she skewers conceptual art ("pretentious, specious, nihilistic rubbish") and its practitioners in her 12th mystery (after 2007's Murdering Americans), this one featuring redoubtable Baroness Ida "Jack" Troutbeck and mystery writer Robert Amiss. When Russian oligarch Oleg Sarkovsky feels betrayed by the London art world, his rage takes a bizarre and dangerous form. He kidnaps Jack and a number of (fictional) critics, educators, dealers, and artists whom he blames for his costly acquisition errors. It may be only a matter of time before Oleg targets real-life notables such as Sir Nicholas Serota, director of the Tate galleries, and artists Damien Hirst and Tracey Emin. Meanwhile, Amiss leads the effort to find and rescue Jack and the other prisoners. Edwards is a master of delightful, biting satire, whether demolishing real or imaginary poseurs.

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  • English

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